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Western Art and the Wider World | Zookal Textbooks | Zookal Textbooks
  • Author(s) Paul Wood
  • Edition1
  • Published22nd November 2013
  • PublisherJohn Wiley & Sons (UK)
  • ISBN9781444333923
Western Art and the Wider World explores the evolving
relationship between the Western canon of art, as it has developed
since the Renaissance, and the art and culture of the Islamic
world, the Far East, Australasia, Africa and the Americas.




  • Explores the origins, influences, and evolving relationship
    between the Western canon of art as it has developed since the
    Renaissance and the art and culture of the Islamic world, the Far
    East, Australasia, Africa and the Americas

  • Makes the case for ?world art? long before the
    fashion of globalization

  • Charts connections between areas of study in art that long were
    considered in isolation, such as the Renaissance encounter with the
    Ottoman Empire,  the influence  of Japanese art on the
    19th-century French avant-garde and of African art on early
    modernism, as well as debates about the relation of
    ?contemporary art? to the past.

  • Written by a well-known art historian and co-editor of the
    landmark Art in Theory volumes

Western Art and the Wider World

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  • Author(s) Paul Wood
  • Edition1
  • Published22nd November 2013
  • PublisherJohn Wiley & Sons (UK)
  • ISBN9781444333923
Western Art and the Wider World explores the evolving
relationship between the Western canon of art, as it has developed
since the Renaissance, and the art and culture of the Islamic
world, the Far East, Australasia, Africa and the Americas.




  • Explores the origins, influences, and evolving relationship
    between the Western canon of art as it has developed since the
    Renaissance and the art and culture of the Islamic world, the Far
    East, Australasia, Africa and the Americas

  • Makes the case for ?world art? long before the
    fashion of globalization

  • Charts connections between areas of study in art that long were
    considered in isolation, such as the Renaissance encounter with the
    Ottoman Empire,  the influence  of Japanese art on the
    19th-century French avant-garde and of African art on early
    modernism, as well as debates about the relation of
    ?contemporary art? to the past.

  • Written by a well-known art historian and co-editor of the
    landmark Art in Theory volumes

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